Hailed by The Miami Herald for his “superb continuo… brilliantly improvised and ornamented,” GRAMMY-nominated historical keyboardist, composer, and conductor Henry Lebedinsky has performed with the Seattle Symphony, Seattle Opera, the St. Paul Chamber Orchestra, the Charlotte Symphony, Seraphic Fire, Sonoma Bach, and the Cantata Collective, among others. Recent conducting engagements include the Seattle Baroque Orchestra and Sonoma Bach’s Live Oak Baroque Orchestra, and he serves as co-Artistic Director of the San Francisco Bay Area’s AGAVE. With countertenor Reginald L. Mobley, he has spent the past dozen years introducing listeners near and far to music by Black composers from the past two and a half centuries, including recent appearances at the Musée d’Orsay in Paris and Festival Printemps Musical des Alizés in Morocco. In 2014, he founded Seattle’s Early Music Underground, which brought Baroque music to brewpubs, wineries, and other places where people gather, and presenting it in multimedia contexts which both entertain and educate. In the middle of the pandemic, he launched his newest venture, Classical Uncorked, (http://classicaluncorked.com) an artist-driven music cooperative that blends music, wine, spirits, and good company while seeking to center both performers and repertoire from historically excluded populations.
An avid composer of music for choir and organ, his sacred music is published by Paraclete Press, Carus-Verlag Stuttgart, and CanticaNOVA. Mr. Lebedinsky is a former music critic for FANFARE Magazine and blogs about single malt whiskey at www.Scotchology.com. Mr. Lebedinsky holds degrees from Bowdoin College and the Longy School of Music, where he earned a Master of Music in historical organ performance as a student of Peter Sykes. A church musician for the past 28 years, he currently serves as Organist and Choirmaster at Seattle’s historic Christ Episcopal Church.